5 Highlights From the High Museum Exhibit on the Coke Bottle
An exhibition exploring the iconic design and creative legacy of
the
The exhibition will be
presented in two floors of the High’s Anne Cox Chambers wing. As visitors enter
the exhibition gallery in the first-floor lobby, they may interact with more
than 500 contemporary 3-D printed bottles suspended from the ceiling, which were
created by Conran
and Partners and reference the iconic shape of
the famous
The second floor
displays will feature three main areas: A section taking visitors through the design history of the bottle; a Pop Art section featuring more than 15 works by Andy Warhol; and a photography section tracking the enduring presence of the
Here are five highlights from the exhibit:
1915 Patent
1915: The Bottle Competition
The Root Glass Company of Terre Haute, Ind., won the competition to create a distinctive and unique package for
Imogen Cunningham (American, 1883–1976), Ansel Adams in a Truck, Yosemite Valley, 1953, gelatin silver print. Collection of Joyce Linker. © 1953, 2015 Imogen Cunningham Trust
1932: Imogen Cunningham, Ansel Adams and Coke
Celebrated as one of the great portrait photographers of the
20th century, Imogen Cunningham explored a diverse range of subjects and styles
over the course of her long career. Cunningham, along with fellow photographer
Ansel Adams, pictured here, founded the f/64 group in 1932. The group rejected
a soft-focus pictorial style in favor of photographs that emphasized “clearness
and definition.” This casual shot of Adams, shown sitting in a truck and
enjoying a
Esther Bubley (American, 1921–1998),
1945: A Glimpse of Daily Life
Esther Bubley was one of a handful of photographers hired by the Farm Security Administration (FSA), an organization established by the United States government in 1935 in the devastating wake of the Great Depression. The FSA’s photographers were hired to report on the plight of poor farmers, and document the New Deal’s efforts to help them. Many of these powerful images, which were widely shown in publications and exhibitions at the time, remain iconic visualizations of American struggle and endurance and served to popularize the careers of some of our nation’s most notable photographers.
Andy Warhol (American, 1928–1987),
Andy Warhol (American, 1928–1987), Three Coke Bottles, 1962, silkscreen, ink, and graphite on linen, The Andy Warhol Museum, Pittsburg; Founding Collection, Contribution The Andy Warhol Foundation for Visual Arts, Inc., 1998.1.20. © 2015 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists
1961-1962: Andy Warhol Focuses on Coke
Works like this were the beginning of Warhol’s extensive
appropriation of commercial trademarks including Campbell’s Soup, Brillo,
Heinz, and General Electric. Warhol once said, “I just paint things I always
thought were beautiful, things you use every day and never think about.” Warhol
was drawn to the
nendo (Japanese, founded Tokyo, 2002), Bottleware, 2012. Photo(s) © The
2012: High Design Glasswear
In 2012, the
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