Art and science: Opposites attract
To many, science and art are the classic examples of never-the-twain-shall-meet.
One is viewed as hard, one as soft. One as methodically precise, one as creatively unpredictable. If you were taking a flight of fancy, you might say one is the fastidious Felix, the other the free-living Oscar.
At UCLA, there is even a geographical divide: South campus is home to the university's prestigious institutions for the study of physical sciences, life sciences, engineering, psychology, mathematical sciences and health-related fields, as well as the Ronald Reagan UCLA Medical Center. But north campus, where students walk amid world-class sculptures to classes in the Italianate buildings that first housed the university, is home to the highly respected arts and humanities programs.

Biology postdoc Christina Agapakis turned microbes in a petri dish into art.
But the boundary between art and science has never been rigid. Think of the study of patterns, for example: Where does the science end and the art begin? This has never been truer than today, when technology has enabled cutting-edge artistic expression and when art increasingly inspires science-related feats of wonder.
Biology postdoc Christina Agapakis turned microbes in a petri dish into art.
Vesna says that, during the Industrial Revolution of the 19th and 20th centuries, a need for specialization temporarily pulled apart science and art. Instead of crafting a whole shoe in one day, for example, a worker would paste on hundreds of soles a day, then heels, and so on. Today there is a return to a holistic way of looking at the workings of arts and industries.
"What I am trying to do with the Art | Sci Center and my classes, and also with my artwork, is show the very natural marriage of science and art," she said.
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